Stuart Drama: Call for Papers

Opens 9 May 2026 · Closes 2 October 2026

We invite proposals of 200-250 words for individual papers of fifteen-twenty minutes or lightning papers of five-ten minutes, or of up to 850 words for 90 minute panels comprising no more than four papers. Panel proposals should comprise a brief overview of the panel, followed by abstracts for each paper. We also welcome five-minute case-study presentations for two plenary roundtables that approach Stuart drama using the methods of either book history or theatre history. 

In addition to the conventional panel sessions, we are also keen to explore other forms of presenting scholarly research. These might include workshops and roundtables. If you would like to propose a session in an alternative format that will not last more than ninety minutes, please submit an outline of up to 600 words and an additional list of all speakers with a short (c. 50 word) summary on each, detailing how their expertise enriches discussions.

Graduate students, early career academics and practitioners are encouraged to submit a proposal.

 

Paper topics may address all aspects of seventeenth-century drama, including, (but not limited to):

 

  • Adaptation and alteration

  • Censorship, patents, licensing and illicit theatre

  • Colonialism and race

  • Conflict, civil unrest, rebellion and riot

  • Continental influences

  • Court culture

  • Environment and ecology

  • Gender and the body of the actor

  • History, memory and forgetting

  • Music in dramatic performance

  • Opposition to the playhouse

  • Playtexts and the printing of drama

  • Political culture

  • Practice as Research

  • Public playhouses

  • Spectacle and the fantastical

  • Touring companies (including the English companies who toured on the continent in the 1650s)

  • Repertory and acting companies

  • Theatre and the senses

  • Theatrical space

  • Visual and oral culture

 

The conference programme will include keynotes by Brandi Adams (Arizona State University), David McInnis (University of Melbourne), Lucy Munro (King’s College London), and Deborah Payne (American University, Washington DC) as well as plenary roundtables comprising emerging and established scholars on book history and editing early modern drama and those who research the material practices of performance. Additional activities will include a workshop led by Perry Mills, Director of Edward’s Boys, an opening reception and curator talk at the Walker Art Gallery, and a career development workshop for early career researchers.

 

Please submit proposals via the form below by Friday 2 October 2026.

Complete the form below to submit your proposal. Upload your submission as a PDF (max 20MB).